Reference for your peer interview
Visual Culture Online Magazine LINK
The Art Angle LINK
Art 21. LINK
Underexpose
In photography, we refer to images that are darker than the actual scene as underexposed, while those that are brighter are considered overexposed. Sometimes photographers will underexpose or overexpose an image for artistic purposes.
Learn the Language of Photography Through Critique | Eileen Rafferty
Artist Interviews
Lorna Simpson
https://www.youtube.com/watch?v=BXhEZeL7gUc
Jeff Wall
https://www.youtube.com/watch?v=HkVSEVlqYUw&t=688s
Rong Rong
https://www.youtube.com/watch?v=_bRAXDsHifo
Alec Soth
https://www.youtube.com/watch?v=KIkG9OcHcCk
Sally Mann
https://www.youtube.com/watch?v=sfPBfqE9sCs&t=43s
Annie Leibovitz
https://www.youtube.com/watch?v=xRhbqtV6RcA
Larry Clark
https://www.youtube.com/watch?v=KIlqvoldS6I
Katy Grannan
https://www.youtube.com/watch?v=fX0yAeyl9No
Flor Garduno
https://www.youtube.com/watch?v=JtXn1QF5KUY
Ken Josephson
https://www.youtube.com/watch?v=Ci82e7x4gfs
Hiroshi Sugimoto
https://www.youtube.com/watch?v=TvO2WL-jGac
An-My Le
https://www.youtube.com/watch?v=utQiaQ9ZNZ8
Jo Ann Callis in Conversation with Catherine Opie & Gay Block
Materials Needed
Photographic paper (ask your teacher/instructional assistant)
Flat objects for silhouettes (leaves, feathers, flowers, ferns, etc.)
Glass or plexiglass sheet (8×10 inches)
Darkroom trays: Fixer solution and running water
Step-by-Step Instructions
Gather Materials Collect your photographic paper, silhouette objects, and a flat working surface.
Set Up the Print Place your paper on the flat surface, arrange your objects on top, and cover them with a glass sheet to hold everything flat. Move the setup into direct sunlight.
Expose to Light Leave the paper in the sun until the exposed white areas turn dark gray. Depending on the paper type, this takes anywhere from a few minutes to an hour.
Remove Objects in the Dark Move your setup into a darkroom or dimly lit classroom. Gently remove the objects from the paper. Save your objects for a second attempt.
Fix the Print Let the paper cool down in the dark for a few minutes. Submerge the paper in the fixer tray to lock in the image.
Wash the Print Once the exposed paper fades to a lighter gray, transfer it to the running water tray and rinse thoroughly.
Inspect Your Work Bring your print into a well-lit area to check its quality, contrast, and composition.
Sign the Back On the bottom-right corner of the back (verso), write:
Title
Your signature (pencil #BB, or 2B)
Edition number and date (1/5, 2/5, etc.)
Display & Submit Frame or mount your print as desired, then submit it for class critique.
Please try your best responses, you will use these answers for your artist bio & statement on Week 9.
Photographer Interview (5 points) - Due February 22
Hi all,
Our first class zoom meeting is on Monday, February 6th, from 1 to 3pm.
Note: No show, arrive late, or leaving class early will be dropped for waiting list people to get in.
Wednesday, February 8th: Class will meet at LAC K-135 at 1pm.
Welcome back and see you soon!
Brian
Zoom Link:
https://cccconfer.zoom.us/j/6379390381#success
Please watch at least one of these movies (apply the experience for your final proposal)
Amazon:
+ Gregory Crewdson: Brief Encounters
+ Edward Burtynsky: Watermark, Manuafactured Landscape
+ Henri Cartier-Bresson: Get the Picture
+ Sally Mann: What Remains: The Life and Work of Sally Mann
+ Annie Leibovitz: Life Throught a Lens
+ Helmut Newton: The Bad and the Beautiful
+ Spencer Tunnick: Positive Naked
+ Vivian Maier: Finding Vivian Maier (IFC)
+ Robert Mapplethorpe: Look at the Pictures
+ William Eggleston: William Eggleston in the Real World (Topic)
+ Vik Muniz: Waste Land
+ Robert Frank: Don't Blink (Topic)
+ Garry Winogrand: All Things are Photographable
+ Alfred Stieglitz: The Eloquent Eye
+ Pedro E. Guerrero: A Photographer's Journey
+ James Natchwey, Don McCullin: Get the Picture
+ Ansel Adams: A Documentary Film
+ Debbie Fleming Caffery
+ John Szarkowski: A Life in Photography
+ The Life and Works of Gordon Parks
+ Dorothy Bohm: Seeing Daylight
+ Bill Cunningham: New York
+ Fred Lyon: Living Through the Lens
+ Yousulf Karsh: Photographing Icons
+ Ostkreuz: Agency of Photographers
+ Zimblism
+ The Art of Photography Artist Series: Keith Carter, Graciela Iturbide, David Brookover, Lourdes Grobet & Pedro Meyer
+ The Adventure of Photography
Netfix:
+ Harry Benson: Shoot First
+ The B-Side: Elsa Dorfman's Portrait Photography
+ Black White + Gray
YouTube:
+ The Mexican Suitcase LINK
+ Men at Lunch LINK
+ Leaning into the Wind LINK
+ Richard Avedon Darkness and Light LINK
Personal Website:
+ Albatross – Chris Jordan LINK
Related to Photography:
+ The Killing Fields
+ The City of God
Location: The ceremony will be in Naples, Long Beach and the reception will be in Friendly Hills, Whittier.
May 21,2022
Bi Lingual - Event Sales Photo Assistant - 4 Hours Every 6 Weeks ~ Daytime Hours
- Submit best shots of your Horticulture garden into your google folder (rewards)
- Artist Interview Q&A
- Cyanotype project (artwork, materials, facilities)
Movie Discussion: Shadow of the House
Artist Profile: Abelardo Morell
Personal Website: https://www.abelardomorell.net/
Gallery:
https://www.houkgallery.com/artists/46-abelardo-morell/
https://benrubigallery.com/artist/124/abelardo-morell
Movie "Shadow of the House": LINK
Work with your classmate partner, pick out 5 questions and interview each other. Use smart phone or camera to record the interview. Due May 11 in your google drive folder.
Please introduce yourself?
What’s your background?
How did you start making art/photography?
Why do you make art/photography?
Why is making art important?
What role does the artist have in society?
Professionally, what’s your goal of being an artist/photographer?
What is your purpose in making art? (hobbies, passion, job, money, fame, power, inspiration, etc.)
Name three artists you’d like to be compared to?
How have you developed your career?
How do you seek out opportunities?
What activity do you most enjoy doing?
What research do you do?
What book do you read?
What's the last great book you read?
What inspires you?
Who are your biggest influences?
What's the last show that you saw?
What's the last show that surprised you? Why?
What's your favorite place to see art/photography?
What’s your favorite artwork?
Do you collect anything?
What work of art do you wish you owned?
Do you have a gallery/museum-going routine?
What project are you working on now? What is your most important artist tool? Is there an element of art you enjoy working with most? Why? What does your work aim to say? How does your work comment on current social or political issues? What are the values and beliefs of the culture in which your artwork was made? Is there an artwork you are most proud of? Why? What do you see as the strengths of your artwork, visually, technically, or conceptually? What is missing from your artwork?
Who do you think was your artwork created for?
How do you personally relate to/connect with your arts?
What do you want people to remember about your artwork?
What memorable responses have you had to your artwork?
What do you like about your artwork?
What do you dislike about your artwork?
If you could change your previous artwork, how would you change it? Why?
How do you title your artwork and why?
How long will it take you to finish an artwork?
How do you know when a work is finished? If you could have a group exhibition or collaboration with 3 other artists, who would they be and
Zoom Link:
https://cccconfer.zoom.us/j/6379390381#success
Making simple pinhole cameras
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| 35mm SLR with pinhole on body-cap (use 35mm film instead of paper negative) |